Centre Culturel Irlandais: Songs of Peace: Francis Ledwidge Sven Anderson, Patricia Burns, David Farrell, Clare Langan, Mick O’Dea, Niamh O’Malley, Sasha Sykes

25/01 - 13/05 Opening night: Thursday 25 January, from 6.30 to 8pm

Tuesday to Sunday from 2pm to 6pm
(late opening on Wednesday until 8pm)
Closed on Mondays, bank holidays, 7-8 Feb, 16-18 March and 10 April

The Irish poet, naturalist, activist, nationalist and soldier, Francis Ledwidge, died in Ypres in 1917 shortly before his thirtieth birthday. A century later, curator Sabina MacMahon has selected work by seven visual artists in response to the life and work of Ireland’s soldier poet. Ledwidge’s final volume of poems ‘Songs of Peace’ illustrates his poignant longing for the countryside of his home county of Meath. This intimate connection with landscape together with the conjoined themes of love and loss are explored in different ways by each artist presented in the show – an ode to the contemporary relevance of the poet’s oeuvre.

This exhibition is presented in conjunction with the Solstice Arts Centre, Co Meath.

The curator Sabina MacMahon will give a guided visit of the exhibition at 6pm on the opening night (reservation recommended). Our artists-in-residence Lian Bell and Stephen Brandes invite you to come and visit their studios during the course of the evening.

Dublin Art Book Fair 2017: PANEL DISCUSSION - The Interaction between Art and Architecture

Saturday 25 November 2017 | 4 - 5.30pm
Studio 6, Temple Bar Gallery + Studios

Panel: Chair Hugh Campbell (Professor of Architecture, UCD)
Shelly McNamara (Grafton Architects), Niamh O’Malley (Artist), Brendan Earley (Artist), Peter Carroll (A2 Architects), Gavin Corbett (Writer).

As part of Dublin Art Book Fair: Art and Architecture Interwoven, sponsored by Henry J Lyons, a panel of leading artists, architects and writers will consider how art and architecture, physical and material things in the world, are interconnected. How these two distinct disciplines inspire and overlap, and how they diverge. Speaking from personal experience and their artistic and architectural practices, they will consider ‘the interwoven’; the ways they see; how, through material and experimental making, they gain particular insights into a material world - made and inhabited - that might appear fragile as well as an infinitely potent source for imagination and inspiration.

A Name Unmade: Francis Ledwidge (1887 - 1917) Exhibition

http://nervecentre.org/events/other/name-unmade-francis-ledwidge-1887-1917-exhibition#.WXBgdoqQxE4

Nerve Centre
7-8 Magazine Street
Derry~Londonderry
BT48 6HJ

On the centenary of his death, A Name Unmade: Francis Ledwidge (1887–1917) is an exhibition of new and recent work by contemporary visual artists presented in response to the life and work of the Meath poet, naturalist, activist, nationalist, and soldier.

The location of the exhibition in Buildings Eighty81 has particular resonance. Ledwidge was stationed at Ebrington Army Barracks in 1916 and wrote a number of poems about the events of the Easter Rising during his time in Derry~Londonderry.

Featuring work by artists Patricia Burns, David Farrell, Clare Langan, Mick O'Dea, Niamh O'Malley and Sasha Sykes.

Sat 08 Jul 7:00pm to Sun 01 Oct 12:00pm

Opening times: Tues - Sat, 10am - 5pm & Sun, 12 - 6pm

http://responsetoarequest.com/

'It is very hard to arrange something that looks like it just happened. There is something within the very effort to produce a natural or accidental crumple that defeats it. Is it that time itself – embedded in this natural state and true slow momentum – cannot be replicated by twisting or throwing or pulling, just so?'

Niamh O'Malley's gorgeous 'Gathering space' is now online, and marks the end of this project (at least in this format). As always, you'll have two weeks to read:

http://responsetoarequest.com

Augmented Geology, 09.06.17 - 08.07.17, KARST, Plymouth

Anna Estarriola / Nabb+Teeri / Maggie Madden / Lola Gonzalez / Niamh O'Malley

Curated by Laura Koonikka & Darja Zaitsev

09.06.17 - 08.07.17

Augmented Geology presents six international artists whose works study the immaterial and physical possibilities of build environments and rocks. The exhibition brings together installations, video works and sculptures through the thematics of representations, speculative entities and hybrids. Augmented Geology explores the possibilities of recreating natural and solid materials. It questions how does the man-made technology affect the physical and social environment we live in.

The exhibition revolves around the concept of the rock cycle, the dynamic and often violent transitions through the geologic time. A voyage through Niamh O'Malley's quarries and monumental ruins leads us to Anna Estarriola's performance for a rock contemplating on mankind's limited and helpless desires and attempts to embrace and conduct reality.

Lola Gonzalez' moments of synchronicity and bodily communication guide us to face outwards, towards the natural landscape, and to question is it only sound and fury, signifying nothing. Whereas Maggie Madden's collected materials accompany us to reflect on our spatial encounters in the urban landscape and the natural world. Watching Nabb+Teeri's imaginary minerals makes the raw-materiality surrounding humans corporeal, and substantiates the capitalistic dreams of exploitation leading to the end of resources.

As the rocks are forced to change as they encounter new environments, the exhibition opens a space for unpredictable and sometimes unwanted actions of human bodies, non-human creatures, and ecological systems.

Augmented Geology is supported by Arts Council England, The Finnish Art Agency, Lantoom Quarry, Marcelle Alix, Mothers Tankstation.


 

 

Douglas Hyde Gallery, Gallery 2 April 21st - May 27, 2017

Panel Discussion
 
On Tuesday, May 2 at 6pm, Isobel Harbison will lead a discussion on aspects of contemporary Irish sculptural practice with Niamh O’Malley, Aleana Egan, Caoimhe Kilfeather, and Isabel Nolan. All are welcome and there is no need to book a place.

NIAMH O'MALLEY

Gallery 2

April 21 - May 27, 2017

The Douglas Hyde Gallery is pleased to present an exhibition of new video, sculpture and drawing by Niamh O'Malley.
 
'shape' is a video work in which O’Malley feigns the role of choreographer. Flat abstract shapes enter the frame and move calmly across a grey plane. Occasionally lines and curves settle into what appear to be deliberate arrangements. These allusive compositions shift onwards, inevitably swallowed by some barely discernible rhythmic drift. This transient image-making is possible due to surface tension in the molecular space where sky meets water.
 
Surface tensions recur in O'Malley's sculpture and drawings, evident through a haptic, agitated quality to edges and appearances. She is drawn to materials that display traces of their own making, labouring the surfaces of polished wood and graphite to the point of distraction. Glass is a favoured material, which is sometimes tinted and encountered as slivers of translucent solidness, directing us to observe, re-observe and filter our gaze.

Niamh O’Malley previously held a solo show in Gallery 1 of the Douglas Hyde Gallery in 2014. She has also held exhibitions in the Contemporary Art Gallery, Vancouver; Bluecoat Gallery, Liverpool; and Project Arts Centre, Dublin, amongst many others. The Douglas Hyde Gallery would like to thank the artist for her commitment and enthusiasm; and John Hutchinson for initiating the project.

 
Panel Discussion
 
On Tuesday, May 2 at 6pm, Isobel Harbison will lead a discussion on aspects of contemporary Irish sculptural practice with Niamh O’Malley, Aleana Egan, Caoimhe Kilfeather, and Isabel Nolan. All are welcome and there is no need to book a place.

Selection of Current/Forthcoming 2017

Nov 5- April 2:          2116, Forecast of the next century, Group Exhibition, Eli & Edythe Broad Museum, Michigan

Feb 4-April 23:         ‘Public View’ Group Exhibition, Bluecoat Gallery, Liverpool, curated by Bryan Biggs

March 2 -April 26:   Drawing Biennial 2017, Group Exhibition, Drawing Room, London

April 1-Jun 18:          ‘Song of the Open Road',  Contemporary Art Gallery, Vancouver, curated by Nigel Prince

April 20-May 25:     ‘Rests’, Solo Exhibition, The Douglas Hyde Gallery, Dublin, Ireland

April 27- June 16:     ‘A Name Unmade’, Group Exhibition, Solstice Arts Centre in Navan, curated by Sabina McMahon

June 10- July 8:        ‘Augmented Geology’, Group Exhibition, KARST, Plymouth, curated by Laura Köönikkä

July 17-July 30:        ‘Golden Record’, Group Exhibition, Galway International Arts Festival

Sept-Oct 2017:        ‘Surface Tensions’, Group Exhibition,  Blackchurch Print Workshop, curated by Jaki Irvine

Ongoing 2017:         IMMA Collection: A Decade, Group Exhibition, Irish Museum of Modern Art, Dublin           

                 

 

Solo Exhibition 'Illuminations Gallery' Maynooth University, Nov 2016-Jan 2017

Illuminations is a digital-visual exhibition space in the School of English, Media and Theatre Studies at Maynooth University. Illuminations brings together work in the visual arts and in academia, celebrating innovation, ideas and creativity.

Situated in the Iontas building, the gallery space is built around eight LED screens, placed back-to-back in custom-designed cabinets. Supplemented by two display units which can exhibit physical artefacts, and a website which extends the gallery space, Illuminations aims to provide opportunities for education, investigation and enlightenment in and beyond the university.

Illuminations will promote work by artists, writers and researchers which stimulates ideas and provides new contexts for thinking and learning. The ART strand will promote national and international work through digital media. The IDEAS strand will highlight new research and fresh critical thinking. Illuminations will provide a place where art, writing, criticism, research and teaching co-exist.

June 2016. Writer Sue Rainsford reflects on Niamh O’Malley’s Memorial Gardens, 2008, featured in IMMA’s current exhibition IMMA Collection: A Decade.

Niamh O’Malley |Memorial Gardens (2008)
IMMA Collection: A Decade Sue Rainsford, April 2016

What can we ascertain of the human gaze and the shadow it casts? Or of memory, that diaphanous veil that shrouds even the most vibrant recollections?

Niamh O’Malley’s Memorial Gardens (2008) draws on a place potent with remembering to literalise the act of looking, the residue left by even the most cursory glance. Aligning a projection with an oil painting, the work sees these disparate materials temporarily fuse in a hovering, ethereal composite. The moment they come apart underscores the constructed, illusory nature of the image, the memorial itself, and the fabrication entailed by the act of looking.

 

https://immablog.org/…/07/05/artists-voice-memorial-gardens/